#roaring twenties

SPRING’s Sofa Coats

Ulyana Sergeenko, SS15 Couture
Kees Van Dongen

Brooklyn Museum. 1920. Alphonse Mucha.

12 1/8 x 19 1/8 in./23.8 x 48.5 cm

In 1921, a retrospective of Mucha’s work, featuring the first five canvases of the Slav Epic, was exhibited at the Brooklyn Museum, following a very successful showing in Chicago. This exquisite poster for the exhibition, in red, green and black inks, features a girl as symbol of the Slavic myth, holding a circle of thorns and stars signifying the past and future of the Slav people.

Available at auction February 25, 2018.

La Plage de Calvi. Corse. 1928. Roger Broders.

31 1/8 x 42 3/8 in./79 x 107.5 cm

A rapturously beautiful, supreme Deco celebration of Corsica, the Mediterranean, and the idylls of beach life from the travel-poster master. The colors are impossibly crisp, especially considering this Grande Dame of posterdom is now 90 years of age. This is actually an advertisement for the PLM railway; the line not only advertised destinations in southern Europe, but also points across the water accessible from those ports. This is the French-language version.

Available at auction February 25, 2018.

Dunkerque. 1929. Roger Broders.

24 ¾ x 39 1/8 in./62.7 x 99.2 cm

The rarest of all Broders posters, it’s also the only image Broders created for the Chemin de Fer du Nord – though the railroad is nowhere to be seen. Instead, he gives us the view from an elegant couple’s yacht, pulling out of the harbor. The contrast between the modern (both people and ships) and the medieval (the spire of the Old Town Hall, the little skiff at right) makes Dunkirk all the more interesting and mysterious.

Available at auction February 25, 2018.

[[previously: one, two]]

Newly crafted headband? Check.

Kajol and rouge? Check.

Skinshade? Check.

Trixie dabbed on a splash of her lucky scent, a mix of vertiver and mint with thin slices of dirigible plum. It had become especially popular in these summer months for its cooling properties and she spent quite a bit of time brewing up bottles for her growing clientele, most of whom she met or would meet tonight.

Though for their bottles she left out the dirigible plum: that was her own little secret.

She placed a couple of those bottles in her bag, along with assorted sample bottles of some experimental mixes and a few other headbands, popped on a pair of red satin bar shoes, did one last mirror check, and made her way to Gatsby’s.

***

Fern had been exaggerating somewhat about her connections to this semi-regular extravaganza. She didn’t know Jay Gatsby - though to be fair, hardly anyone at the party knew him. Some people claimed to know him, but mostly he was myth and legend, perhaps apocryphal, extant only in the oohs and ahhs of the admiring.

She did have a cousin in New York, Ladon Greengrass, and that cousin really did know how to bring people together. Having moved to New York soon after graduating from Hogwarts to visit Gatsby (an old friend, he claims, though Trixie never figured out if that was true), he became the American point of contact for the British wizarding travellers who, like him and his cousin Fern, were piqued by rumours of a weird and possibly dangerous land where thrill-seekers flouted prohibitions and statutes, where magic flowed as freely as prescriptions for firewhiskey, where the exotic were prized and revered.

It was this love for the exotic, as fleeting and fickle as it could be, that earned Trixie’s keep in New York. The fabled Orient had also captured the dreams of the denizens here and Trixie’s fashion and perfumery were much sought after by those that wanted to be especially hip to the Hindoo jive. Her chachas and fupis could barely keep up with the jamdani orders that Trixie transformed into flapper dresses that made their wearers float as light as the fabric flitting on their skin, made to glow by saffron-gold-laced potions adapted from recipes shared by a friend of her grand-mère’s, the resident mambo of her Brooklyn enclave who adopted her as one of her own.

Family.

The mambo was not at the party tonight, nor were the weavers of the jamdani. The rest of Trixie’s family weren’t here either. Not her blood family - they were either long gone or far away, and she was an only child - but her rag-tag chosen family, Fern and Ailene and Florence and Walter, forged far south, almost a lifetime and another world away.

She did try to invite Walter up here, but he kept blowing her off, telling her that he had some ‘business to do first’. Last she heard from Florence she was planning to move to Virginia to pursue further study, but nothing since. And Ailene, sweet powerful secretly-magical Ailene who’d given her the final boost to her move out here - Trixie couldn’t get a hold of her. Walter had said that Ailene was 'in a spot of trouble, but she’ll be OK I think’ - and then nothing.

Trixie tried to not freak herself out, blame herself for something she doesn’t even know has happened. Maybe she’s just busy. Quiet. Nothing’s wrong. Surely

As for Fern? Fuck Fern. Fern had, just one day and out of nowhere, left. Moved her wanderlust on, perhaps, to some other actual exotic part of the world. Maybe somewhere closer to where the jamdani or the saffron-gold had come from. Trixie didn’t know: the only warning she got was when she bumped into Ladon one evening and he made an offhand comment about seeing Fern the day before she left, expecting Trixie to have known about her departure. Fern didn’t even bother to say goodbye, leave any way to get in touch. As if Trixie didn’t matter worth a damn.

Trixie wished she could forget Fern the way Fern had forgot her. She drowned herself in the parties, the perfumery and couture, the liquor-spiked candies and never-spiced-enough roasts - anything to keep her mind away from the fact that Fern had left her hanging.

She still cared.. Cared, even if they’ll never meet again. Parties and potions do not stifle a caring heart, no matter how much she tried.

But anyway. Enough reminiscing. Trixie has work to do.

***

The swarms around Trixie made it hard for her to even get a sip of her lavender champagne, but that wasn’t too much of a problem.

Her new headband had a panel that changed colours according to the current fancies of the wearer. She observed the colours of the people trying on her samples: lots of metallics and golds and silvers - not surprising given the moneyed crowd that tended to frequent Gatsby’s parties. Splashes of reds and pinks, the passionate and lascivious ones, joining the perpetually smiling yellows and oranges in chatting up other headband-wearers and making connections. The occasional purples and jewel tones, many whom Trixie recognised as being similarly gifted in magic as she was, others who spoke of poetry and spirit and learning. The rare rainbows and colour-shifters, ones who loved all the world had to offer, never content with just one path, a constant explorer.

Walter? Strong silver. Florence? A light yellow, or pale orange. Ailene would be a deep amethyst or ruby. Fern, fucking Fern, she would have definitely been a rainbow.

Trixie’s headband shifted colours, currently floating the same shade as her drink. She was collecting names and numbers for preorders - a cool couple of hundreds dollars’s worth, not a bad haul for one night - when she felt a tap on her shoulder.

“Ladon. Oh. Hey.”

“Greetings, dear Trixie. There’s someone I’d like you to meet.”

Trixie had not really spoken to Ladon since hearing the news of Fern’s depature, asdes from the occasional pleasantries when crossing paths at Gatsby’s. She could have asked Ladon more about Fern, where she’d gone and how she’s been, but it’s hard enough to get someone who chat for longer than a few minutes at these parties, let alone the rest of New York.  Besides, if Ladon wanted to talk to her he could have made more of an effort to do so.

Trixie took down the last name, closed her notebook, and turned to face Ladon and his companion: a striking, strapping figure, his face hardened with scars and stubble, sporting one of the headbands that Ladon had borrowed from another party-goer. Teal.

“Looks…interesting on you,” said Trixie, stifling a laugh. “You much of an outdoors person?”

The companion’s eyebrows perked with cautious curiosity. "In a sense, yes,“ replied the companion. "How could you tell?”

Trixie explained the magical science of the headband to him: how they were based on the divinatory art of scrying, the panels made out of squares of black mirror coated with a specially brewed solvent giving it its colour-changing properties. Her adoptive mambo had used scrying mirrors often in her witching work to get the lay-of-the-land of the situation at hand, and aura-reading had just caught on as the latest spiritualist craze. Trixie saw an opportunity to combine her skills and cash in - everyone wanted every part of themselves to be pretty and glitzy, why not the soul?

“Ah, the old magic - I haven’t seen this since I helped tracked the African jungle manticore over in Tanzania,” mused the companion. “Indeed, the colours in your ornament remind me of the streelers I occasionally ran into - though perhaps their changes in colour were less metaphysical, more physiological.”

Trixie wasn’t sure what to make of this strange man’s answer. He knew about magic - but that wasn’t necessarily so unusual in New York, even if many didn’t take it all that seriously. Yet he spoke of this magic as though it was a foreign, ancient, long-dead relic, the domain of the yet-to-be-civilized. Something to be studied by the ones more educated.

And what was all this about manticores and streelers?

Ladon stepped in: “I should introduce you two. Trixie, this is Newt Scamander, an old friend visiting from England, he’s a magizoologist. Newt, this is Trixie Shafiq, she’s a close friend of my cousin Fern, you may have been at Hogwarts at the same time. She’s an artisan, mostly with clothing and perfumery and accessories…like that headband you’re fiddling with.”

Hogwarts. That fancy British magic school Fern talked about. So he too was magical.

“Hello Newt, fancy meeting you,” said Trixie. “What’s a magizoologist do?”

“I study animals - magical ones.”

“Ah, explains your manticore business. Fitting name, by the by, Newt. Mind if I call you Figsy?”

“Figsy?”

“Y'know, like Fig Newtons. Damn good treats. You ever had one?”

“Can’t say I have.”

“Let me see if I can get some for you,” said Ladon, waving down a waiter. Soon after the waiter returned with a tray of thick rectangular cookies; as Newt bit into one the cookie crust crumbled, revealing a tart dark paste.

“Hm, not bad,” said Newt after finishing the cookie. Trixie smiled and helped herself to a few off the tray.

“Good. Figsy it is, then.”

“While we’re on the topic of names - yours. Shafiq. Don’t think I’ve heard that before, though it seems a little familiar. But anyway. Very unusual. Exotic.”

Trixie had the very odd sensation of being examined, like one of Florence’s teenage science experiments.

“Fancy yourself a little Oriental, I take it?” continued Newt. “It’s such the rage, even in old Blighty town…”

Trixie winced. Yes, her 'exoticness’ is what allowed her to be successful, but for heaven’s sake, you don’t call people Oriental, that’s for rugs and knick-knacks.

“My name is mine,” said Trixie, biting her inner lip to stop her from yelling. “'Trixie’ was given to me by friends, but Shafiq was from my father - who was from the Subcontinent.”

Newt, oblivious to Trixie’s measured reaction, picked up another Fig Newton and tore off a bite to eat as he prattled on. “Ah, you’re Hindoo? You don’t look at all -”

Trixie yanked Newt’s wrist, the cookie collapsing on the shiny tiled floor. Her skin shifted shades the same way as her headbands, moving from near-alabaster to dark chocolate. Her face rounded a little, her eyebrows fuller, her eyes so wide open they startled Newt and Ladon with their intensity.

“Don’t tell me where you think I am from,” snarled Trixie, gaze locked on Newt. “Everybody does, and they are always wrong.”

Ladon was dumbstruck by Trixie’s attitude, but Newt didn’t seem to be particularly frazzled. Instead, he beamed, like a kid discovering a new toy.

“You’re a Metamorphmagus!”

Trixie’s grip returned and tightened on Newt’s wrist. “A whatnow? Figsy, are you calling me some sort of animal?”

Newt pulled his hands away from Trixie and shook his wrists out. “Oh no, no no no. They’re most definitely people, just a rare sort. Shapeshifters. They can change the way they look. Though the ones I know of tend to opt for less…subtle changes. Purple hair and duck faces, that sort of thing. Just a little fun, y'know.”

“I don’t know about fun, Figsy - I know about survival.” Trixie could have shapeshifted into dynamite based on mood alone. “My parents taught me this to make sure no one could hurt me for thinking I was an alien. Things weren’t so good for our kind. Still aren’t.”

“I don’t understand. Surely shapeshifting in public would get you even more persecution from the Muggles?”

Muggles? The word seemed familiar, and yet…

“He means people without magic, Trixie,” said Ladon. “You know, people not like us. Like the people who bought your headbands thinking it was just some silly fun.”

Trixie’s loud cackle held a hint of bitterness. “Honey. It’s not your so-called Muggles I have to worry about. You go to New Orleans - hell, you leave this party and go to the real New York, and you’ll see magic out in the open. Everyone knows and nobody cares. Where do you think this spiritualism jive all came from? No, you know who I’m more worried about? White folk.”

Trixie’s features shifted again, now more closely resembling one of the other flapper girls at this party - bright skin, cropped blonde hair, a dash of freckles. “My people are getting locked up for being the wrong color. My father’s people - they didn’t know whatwe are, White or Colored or Turkish or Malayan or Italian or what. One time the big lawmakers said we were White, which means we should be OK.”

“But then people realised, people like my father - we’re not exactly light-skinned. So we started getting in trouble.” Trixie’s features shifted back to the version that surprised Newt and Ladon: her usual, non-Magic-created self. “My mother’s people, they would never be OK. They were Colored, the bad kind of Colored. Means you could get hauled up just for existing sometimes. They used to call themselves Hindoo to try and protect themselves, but then the White folk started hating Hindoos and now we’re all in trouble.”

Trixie suddenly had a flash of Fern: she wasn’t exactly White either. But she was British, from a land where the magical ones lived apart from these Muggles. Do they treat their Colored folk the same way there? Was that why she disappeared? Walter, Ailene, Florence…? Is that why…?

“You could be arrested just for being not White?” said Newt in disbelief. “What a barbaric lot these Muggles are!”

“Oh don’t be too sure that it was all Muggle, Figsy boy. As I said, everyone knows about magic. Some of those White people causing trouble for us were also magical. Catch you in a corner, chant some words - boom! Off a tree you hang, upside down, don’t even need a rope.”

“Hang off…wait, how did you survive?" 

"We use glamour. This Metamorph thing you said it was. Both my parents knew what to do. They taught me glamour magic, taught me how to transform just enough so that I could blend in just enough to get by. Or stick out a little if the place was right. Like here - being a little unusual helps my business. But not too unusual or else they think I’m one of the waitstaff - or worse, that I cheated my way in. Look around, boys - you see anyone darker than these cookies round here?”

Ladon and Newt saw mostly people that looked just like them: White, European, not likely to have their ethnicity questioned by the authorities. They wondered if some of them were like Trixie, shifting themselves to safety.

But what if you weren’t born a Metamorphmagus - well, as they know it, Metamorphmagi are bornnotmade - but Trixie seemed to imply that this 'glamour’ business could be taught - there didn’t seem to be that many magical Colored people that they knew - were they all -

“You see, boys, when you have to walk through multiple worlds all the time, when you’re never one nor the other, when what other people think you are is more important than what you think you are - you don’t have to be some Metamorphwatsit. Or even magical like us.”

Trixie looked out at the crowd in front of them, a mess of magic and glitz and illusions. Everyone dolled and suited up to present as fine society. Everyone, in their own way, using glamour magic.

“If you want to survive? You knew how to shapeshift.”

[[source: Heather Romney
some ideas from other blogs have been linked where relevant.
SO VERY SORRY for the long delay. I’ve been busy with a show, and then MH370 has been sucking so much of my energy. I’m not entirely content with how it ends, mostly because there’s one last small thing I want to make happen but don’t know how. But I’ve been working on this for ages and wanted to get it out there.
According to Bengali Harlem the South Asian immigrants were designated White for a while, and there had been many other POC that assumed themselves as “Hindoo” to gain the same racial protections, but it didn’t last very long.]]

[[a continuation - well, a prequel really - of this story]]

“Trixie bè, come on, come with me.”

Trixie lets her sweet friend’s house rest in her mind the way she rests on her shoulder, their own little world amidst the noise ruckus of the Dixie Drug Store.

Oh don’t let the name and the plain little storefront fool you - the drugs of choice in this joint weren’t those newfangled sulfa or insulin or pepper-up or stinksap, oh no no no. Just say the magic words and the friendly nurses will dispense some fine bootleg  - firewhiskey and gin and daisywood draught and absinthe, currently being poured in a glass by Fern in preparation for a slotted spoon, a cube of sugar, and Incendio.

Fern, Trixie, and a small group of other friends were at one of their regular nights at the joint, listening to good time jazz and watching shake dancers and laughing at each other’s progessively zozzled joking.

Zozzled - surely that explains Fern’s claims about this swanky party at this exotic far-off city? I mean - fountains of champagne and dragon-barrel brandy, oysters Rockerfeller and butterbeer bonbons by the plateful, the skies lit up with violet and sapphire fireworks, the best of the dirty blues singing to molls in their finely tailored suits and dolls in their ropes of pearls and diamonds - maybe just the pearls and diamonds? (That got her attention.)

“Are you sure there really was such a shindig, Fern shè, or did the Green Fairy give you a mirage?”

Fern stirred the melted sugar into her absinthe glass and took a sip. “I’m telling you, it’s real! My cousin has this canny ability to bring the right people together and create a swell time! You could say…it’s like magic.”

The rest of her friends laughed, which made Trixie roll her eyes. It’s not like the rest of them had nothing to do with magic - those limeys might have tried to put up some statute or other, but America’s ley lines were throbbing with power. Even if you weren’t especially trained, like Fern at Hogwarts or Trixie with the matriarchs in her family, you knew enough to sprinkle salt on your doorways for protection or tie a knot in your clothes to find a lost item.

Still, there were some things about magic that the other people in her table wouldn’t be able to appreciate in quite the same way: the underlying rules and logic, the effort to skillfully harness magical power without letting it overwhelm you, the sheer amount of work and study it took to really understand magic, its potential, its limitations.

Most people just assume that being magical meant you could snap your fingers and all your wishes would come true. Indeed it was Trixie’s friends, children of her parents’ friends and neighbors, a porous yet tight-knit group that lasted through the years, that named her: “Tricksy”, she of the rabbits and hats and voodoo dolls. As the gang got older their ideas of magic became a little more nuanced, but the old nickname stuck - and sometimes so did the jokes.

Then there was Fern. Fern was in most ways very different from Trixie - while Trixie was as flapper femme as they came, Fern stylised herself like one of those bull-daggers, solid and steady with a predisposition for fine suits. But Fern was similar to Trixie in one very crucial way: she, too, was a trained witch.

Fern’s training was rather distinct from Trixie’s; Fern’s English family had sent her off to Hogwarts, a fancy formal school where students took special classes in things like spell-casting and ayurveda but named them things like Charms and Herbology. The school wasn’t new to her - her father had mentioned some distant relatives that had decided to head to Bilat instead of Markina and had sent children there or that other fancy European school, Doomstrang maybe? and her mother had sometimes wished she could have sent Trixie to Beauxbatons so that she could learn to be a more refined fluently-French belle, but alas circumstances and currency were not in their favour. Bit of a blessing, really; Trixie couldn’t see how a school named after pigs or pretty sticks could teach her the depths of her family’s inheritance.

Even so, even with its cross-cultural variations, magic - like music and love - was universal. One could meet a wizard, witch, spell-caster, shaman, jadukara, sorcierè, and be able to strike a kinship on shared understanding and skill. Trixie wasn’t always fond of the way Fern and people like her tended to brand non-magical folk as Muggle, separate from them - but at the same time she was deeply appreciative to find someone that gets it.

(Doesn’t hurt that she’s a sweet sight.)

And now Fern was telling her about this fantastic shindig, supposedly run by a cousin of a cousin (I thought it was us Bengal kids that were supposed to have the convoluted family trees) who had himself gone to Hogwarts before deciding to explore the New World (nothin’ new here). Fern had been invited one time, while back up in New York visiting family, and could not stop talking about it since. 

And Fern wanted her to come along.

“Sounds like a good time,” remarked Walter, one of the others at their table. His mother used to see Trixie’s mother all the time for remedies to maladies medical or otherwise, and while they had their meetings he and Trixie would have their playdates. Now he was one part wisecrack one part dreamer, his fashion sense carefully created to display effortlessness, always looking for a way up. Running the business that kept the Dixie Drug Store stocked wasn’t quite enough for him. “If you ain’t going I’ll go.”

“It’s invite-only, Waldo.”

Walter shrugged and took another sip of his whiskey. “Then I'll be Trixie. With her shapeshifting dresses and sparkle and whatnot. What are they gonna do, put me through some magic body scanner to see if I’m the right person?” He shook his head; Trixie did not seem to really appreciate the golden opportunity in front of her. He really would take it if he could.

“I wouldn’t put it past him, honestly,” replied Fern, drinking the last of her absinthe. (Maybe her last absinthe for the night. For now.) “He does like his experimenting. Every time I hear about him he’s gone and transfigured something else or made up some new charm.”

“Ooh, a scientist,” cooed Florence, another friend of Trixie’s whom she had known in school. She was fond of learning, the group’s resident bookworm with the voracious appetite, and occasionally did experimenting of her own. Trixie was sometimes glad that Florence wasn’t a witch simply because who knows what kind of chaos that girl would cook up? “God, I wonder what his library would look like. If his parties are that spectacular, imagine the books!”

“Maybe you should go, Florence - you’d probably appreciate it better,” said Trixie, sighing. “Me, I’m just ordinary.”

The fifth person at the table slammed their shot of bourbon on the table. “Child, you are not ordinary,” bellowed Ailene.

Ailene, Trixie’s oldest friend, a whirlwind of confident energy who created new bonds fast and held on to them hard. Indeed, it was so long that they’ve known each other that Trixie wasn’t quite sure when it started: all she could remember was that her mother had been unusually kind to Ailene’s mother, a single parent, and they’ve been close ever since.  

Sometimes Trixie wondered if Ailene was really a witch in hiding: she did have a really peculiar ability to read people’s truest intentions, protect against harm, attract all sorts of weird and wonderful circumstances. Ailene didn’t say. Maybe she was magical the way everyone was magical, each individual carrying innate abilities to create and destroy and transform. Maybe she was magical the way only Ailene could be magical.

“If anyone’s not ordinary it's you,” said Trixie.

Her friends weren’t having any of it.

“Stop it, girl. Yes, we know Ailene’s extraordinary. What we’re saying is - so are you.” Walter took Trixie’s hands in his while Fern rested her hands on Trixie’s shoulders and Florence and Aliene watched on. “You have a gift for haute couture of the deepest kind: your work makes people not just look - but feel like one of your Sultanas.”

“That’s just because my family left me with all these fabrics from back East. Anyone could look like an exotic princess with some sparkly gold-embroidered fabric.”

“Any old fool can try - but your work? Bè, you make it real. Every last cut and stitch - smooth as silk. And I know you put in some of them magic skills to make it look like you’re wearing liquid jewels. Even an old frumpy puss like yours truly can be a superstar.”

“You’re never a frumpy puss, Walter.” Indeed, with his leather jacket (old and well-loved, charmed by Trixie to withstand any wear and tear) and a shirt that seemed to shine even in  the darkest night (a gift from Trixie for his birthday many years ago, still fits beautifully), Walter had a sharp dress sense to make even a sack of flour look fabulous. But yes, Trixie’s knowledge of dressmaking went beyond the typical seamstress standbys: magical silks called for magical skills, and her father had been very particular about her mastering the family trade even across oceans.

“Oh and honey, that bottle you gave me all those years ago?” chimed in Florence. “Couldn’t ace those tests without them. I was a quakin’ mess! And whoosh – flying colours!”

Trixie remembered the little vial she had given Florence when they were at high school together and Florence was about to collapse from exam stress. A standard of her mother’s and one of the first potions Trixie learnt to brew, it was said to give the wearer luck - well, really, what it did was lift the wearer’s spirits enough so that they created their own luck. That little boost was enough for Florence to face the exams with calm confidence and get straight As. (Not too long ago Fern had told Trixie about Felix Felicis, a fairly common potion back in Limey-Land, and she wondered if the idea had jumped over with the slave boats.)

“That was mostly your smarts, Florence dear, that’s kind of the point of the potion.”

Trixie was never really very good with taking in praise. Sure, her clients loved her work - most of them had been familiar with her parents’ work and were glad that there was someone else continuing the legacy. Also there was a sudden revival of interest in the Orient, which made her work even more in demand just for the exotic factor. But being strongly skilled in dressmaking or potions-making was expected of her; it would have been unusual in her family if she wasn’t at least competent. Whenever someone asked her if she was any good, she didn’t feel like she was the best person to answer - she knew she had the technical chops, but she didn’t have Ailene’s confidence or Walter’s drive or Florence’s intelligence or Fern’s whimsy.

She was Trixie, dressmaker and potion-maker, trained in the magical arts, but not quite sure who she is outside what she can do.

Well, she had dreams. Dreams of travel, like Fern: being able to see the world and retrace the footsteps of her father’s people. Dreams of learning, like Florence: diving into subjects she’d never even thought about and soaking up everything there is to know. Dreams of ambition, like Walter: jumping on any opportunity that presented itself and really make something of herself. Dreams of poise, like Ailene: commanding a room with just her presence, no problem too big for her, self-assured and strong.

“You know, Trixie, I think you undersell yourself,” said Ailene after a while. “Yeah, maybe Walter would look great anyway and Florence would have graduated. But you’re the spark that gets things going. You have a talent for bringing out the best in people. You see what’s possible – and you make it possible.”

Trixie was somewhat taken aback by her oldest friend’s assessment. “But I thought that was your thing!”

“Where the hell do you think I learnt it from, sweetheart? Your mother befriended my mother when no one else would. You befriended me when no one else would. Your heart is in everything you do – and the purest of hearts can accomplish wonders. I tell you, Trixie, New York? New York will be a goldmine for you.”

Trixie looked at Ailene, then at Fern, then at everyone else around the table. New York could be a goldmine, yes. Maybe she can parlay some of the trendy Orient there. And she did always want to get out of Storyville for a spell.

But what would she do without all the people that made her who she is? People were leaving Storyville by droves already, including some of the gang’s old friends that would have otherwise been at this very table right now. How can she abandon her closest ones like these?

Sure, Fern would be there with her – but for how long? Fern never really stayed at one place long enough for anything; it was a wonder Fern hung about Storyville for longer than a month. And what about the rest?

“Hey, listen. You get to New York, you become a superstar, then we’ll come to visit, okay?” said Florence, noticing Trixie’s anxiety.

“Yeah babe, we’ll be fine. We still have lives here,” continued Ailene. “But you – you are destined for the stars. Or at least more of this world. I can feel it, I know.”

Walter leaned back and smiled a rare smile. “And hey, you stay there long enough, maybe you can invite me to this party. See if it’s as good as Plants here says it is. Then I won’t have to be you to get in, I’ll just be me.”

Fern would have thrown absinthe at Walter in response, but the absinthe was all gone, and she wasn’t going to waste a drop anyway. “Yeah. At least come up for the party. You can always come back. Just one weekend.”

Just one weekend. One weekend that could change everything, or one weekend that could give her a blessed break, or one weekend that could just be the same ol’ same old.

You ain’t gonna know if you don’t go.

Trixie drank some of her brandy and let the jazz roll back into her brain, sparking daydreams of golden fountains and brass horns.

“One weekend. Let’s do it.”

[[source: Andrew Ding]]

(I’m scheduling posts now when I can so you don’t have so long to wait!)

So, this really isn’t Edwardian-era but too beautiful to not share, and I don’t think you’ll mind…

FAIRBANK TWINS WORKING AS ZIEGFIELD FOLLIES, 1922

Judith Anderson’s views about ‘pleasure-bored’ flappers

Judith Anderson cuts a characteristically elegant figure in this portrait from the premiere production of George Kelly’s Behold the Bridegroom (Broadway, 1927-8). The Museum of the City of New York has a production photo featuring Judith and two of her co-stars, John Marston and Thurston Hall.

Judith portrayed a spoiled flapper, Antoinette Lyle, whose undoing proves to be the fact that she possesses every material thing and social advantage one could wish for and yet is entirely dissatisfied with life. Antoinette simultaneously has it all and is empty. Marriage risks becoming just another diversion. 

In the press, Judith spoke candidly - and sagely - about the poisoned chalice of privilege, particularly in relation to the 1920s social phenomenon of the flapper. She emphasised that she herself had escaped the curse of the ‘society butterfly’ to find fulfillment in her career (which, by now, was tremendously successful). I find Judith’s comments fascinating; they’re not only enlightening in relation to social history but also point to her good sense and acute self-awareness. It’s fortunate, she concludes, that her father lost his fortune. There’s no fate worse than wealth, it seems.

‘The type of girl symbolized by Antoinette Lyle,’ in Behold the Bridegroom, says Judith Anderson, the play’s star, ‘is universal. I use the word in its purest meaning and I ought to know, for in the last year I have traveled far from the United States and back again. And on every continent, in every city and suburb, I meet the Antoinettes or the near Antoinettes. Not that I have ever known one who died either for self hate or for deep love, but I have known many who have reached the stage of utter boredom with life, complete dissatisfaction with themselves, and perfect understanding of the value of the years they have wasted.

[…]

‘The flapper in the United States has her prototype in Australia. Some time ago some one coined a name for the flapper’s big sister. I think it was “zipper”. They, too, exist in both continents. Rich and unrestrained, they dash through a youth full of pleasure only to approach their 30s blase and disillusioned and a trifle shopworn. When I was of the flapper age in Adelaide, my native town in Australia, I was brought up to be a society butterfly. Like the Lyles, we lived in a community considered smart for our part of the world. And many of the first families had daughters and sons who belonged to a fast set. They wanted to show the English visitors that the colonials weren’t dull and slow. Father was at one time a very wealthy man. He was called the “Silver King” of Australia. I was pampered and spoiled by him and his generosity, just as Mr. Lyle spoiled his daughter in the play. Were it not for a quiet, loving mother and her intelligent direction, I myself might have developed as Antoinette did under the limp disciplinary rod her father wielded.

‘I doubt, however, if I were temperamentally inclined towards such a hectic existence as I lead in Behold the Bridegroom. But children of the rich are prone to develop into selfish adults with a rudeness often mistaken for wit. Fortunately, father lost his money, so we picked up our lares and penates and moved out of the wealthy pleasure-bored set to Sydney, where I started on my stage career.’

- ‘Judith Anderson on Flappers’, The Brooklyn Daily Eagle, 11 March 1928

Book mood board:The Great Gatsby by F. Scott Fitzgerald (1925)

“You see I usually find myself among strangers because I drift here and there trying to forget the sad things that happened to me.”

Portrait of artist Adelaide de Lima Cruz (1908–1985) — Abel Manta, 1924 (private collection)

Virginia Biddle - Ziegfeld Performer by Alfred Cheney Johnston.

Rare card for Magic the Gathering: “Streets of New Capenna”
My very first card for MTG. Cabaretti in all their glory.

flapper Tiana

2005 edition Licca-chan ‘Ginza’ model - a modern day representation of our 1920s Modern Girl

Pics found here