#murano
No View Millenium - Reflective Walls & Floors
Can you tell I’m playtesting my community lots? I don’t think anyone else uses these anymore but here’s a small edit that removes the view interaction from Murano’s reflective wall and floor overlays.
The shader file is required but not included and is available from the bootyortsr if you need it.
Download at SFS
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This set includes :
- Chair - 2 swatches
- Sink - 1 swatches
- Grand Mirror -2 swatches
- Bathtub -1 swatches
Mesh | 4
Request from @the-huntington
Get it all here.
Original meshes get it here(S2)
Credit:Murano
Credit picture @the-huntington &@tingelingelater
Yo y Murano
#murano #laguna #venezia #italia
https://www.instagram.com/p/B2JtCW8Ih7G/?igshid=efltp1dbtg7i
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#murano #laguna #venezia #italia
https://www.instagram.com/p/B2JsvG2IZyn/?igshid=1j69e6xhl0ci4
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#murano #laguna #venezia #italia
https://www.instagram.com/p/B2JsdaIIfZi/?igshid=1r4o6adzwkoiv
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Silly faces in this lingerie set too!
Patreon.com/sagebell
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#lingerie #longhair #tongue #goofyfaces #silly #model #lace #redhead #valentines #bemine #patreon #hotel #tacoma #murano #downtown #butterflystamp #extra #multipost #tallgirl #sagebell #photographer #photoshoot #lightroom
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The end of Volume 7 of Parasyte (寄生獣, Kiseijuu). Murano looks furtively behind her, perhaps looking to see if Shinichi is there…
Woke up at 5:30 AM to watch the sunrise with my friends. We watched the sun glow over Venice. You can see the silhouette of Campanile di San Marco in front of the sun One of the most peaceful mornings of my life.
Murano, Italy
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Fred Wilson (b. 1954, Bronx, New York) challenges assumptions of history, culture, race, and conventions of display with his work. Known for his politically charged work that explore issues faced by Africans and African-Americans in past centuries, Fred Wilson makes sculptures that are, first and foremost, beautiful. His Murano glass mirrors (2009), made from onyx Murano glass (a color never before used for decorative objects), are glossy and ornate, while Regina Atra (2006), Wilson’s version of the Diamond Diadem, the celebrated crown worn by Her Majesty the Queen of England, is as delicate and opulent as the original. Each is a commentary on the African experience, a theme that is occasionally met with great resistance, as in the case of Wilson’s thwarted efforts to erect a sculpture of a freed slave in Indianapolis, which was to be titled E Pluribus Unum. By reframing objects and cultural symbols, he alters traditional interpretations, encouraging viewers to reconsider social and historical narratives. Since his groundbreaking and historically significant exhibition Mining the Museum (1992) at the Maryland Historical Society, Wilson has been the subject of many solo exhibitions.
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