The Sacred Twenty Eight: The Noble and Most Ancient Houses of Nott and Rowle
Ergi, the Rowles called them And sneered, But the Notts only smiled And wove on in silence. They might be ergi, but they were seiðmenn And they would never be blót.
The common wizards and witches of Britain had their own version of a very muggle saying - out of the frying pan and into the fire. Theirs was a little… different. For it went like this:
Fleeing the Blacks only to cross the Notts.
The Blacks were dangerous, but nine times out of ten you knew precisely where you stood with them - they wore their hearts on their sleeves. If you insulted them, you could rest assured they would curse you, probably using some obscure dark curse no one had heard of and things would be well. Mostly.
But if you crossed a Nott, you’d never know it. They merely smiled and continued as though nothing were wrong at all. Excessively well-bred, always courteous - haute ton. But once you had left, they would return home, still smiling, and take down an ancient distaff and spindle; magical objects passed down from generation to generation for each Nott versed in the magical art of Seiðr.
Magical Britain laughed at divination and called it a fuzzy art with no magical grounding, for charlatans and their ilk, and the Notts agreed with them. Crystal balls, tea leaves, reading sticks - amateurs. The future was what people made it, what a talented seiðmenn orseiðkonurcould make it. The future was whatever the Notts chose to weave on their tapestries. Each thread, carefully placed, turning thought into reality, fiction into non-fiction, lies into truth.
None knew this better than the Rowles. They had learnt firsthand, many centuries ago, that mocking the Notts - these students of Odin - came with a price. A blood price that might have been honor to those who paid it but was a blood price nonetheless.
The Rowles might have been warrior-shamans; berserkers invulnerable in battle; but the might of the sword or even crude magical power could not withstand the implacable weaving and reweaving of reality and fate that the Notts took part in. Theirs was deeper magic, darker magic, terrifying magic and when the Rowles and Notts came to England with the first of the Vikings to rule Scotland, they brought rumours of what the Notts could do to people when crossed and people fearedthem.Fearedthese mild mannered men and women who refused to let this new religion called Christianity and its sociopolitical order sway them; who failed to conform to the new order’s strict regimentation of gender and male and female occupations; who smiled when people spurned them and smiled even wider when their mockers were slowly ruined piece by piece.
So not a murmur was heard when Proserpina Nott, aged 16, took up the family seat in the Wizengamot in 1734 though she was the youngest of the Notts and had not yet finished her schooling. The Ministry kept mum when Tiresias Nott refused to use their curriculum when teaching divination and instead taught his pupils trance magic and weaving: the beginnings of Seiðr. Wizengamot members cast their eyes downwards when Isembardus Nott stood up to make speeches, lest he see the judgement in their eyes when he painted his face and persisted in wearing pompadour wigs in public (it was 1854). People turned the the other way when Cantankerus Nott, pureblood fanatic extraordinaire, put half his fortune into muggle stocks and bonds. And no one dared say a word when Charles Nott stood a little too close to Antinous Lestrange at Ministry press conferences.
No. Only the foolish with a death wish ever crossed the path of a Nott. For they would have their revenge, these children of Guðrún, protégés of Odin and their revenge would be cold, dark and terror-filled as the houses of Hel.
so was no one was gonna tell me that the painting saturn devouring his son was found painted directly onto the walls of the artist’s home after he died and that it may not even be depicting the greek legend, that’s just the most common interpretation??????
hello????
Not only was it painted on the wall of his house, it was painted on the wall of his dinning room.
Like imagine you go over to your boy’s house for dinner and that’s across from you while you eat. Like would you say something or just
This is the painting is question by Francisco Goya. Not only was this painting found, but a series of 13 other disturbing pieces of art called his “Black Paintings”. At this point in Goya’s life he had lost his hearing (well most of it) and had moved into a villa where he became a recluse. This was directly after the Napoleonic wars. These paintings were never meant to be found. They were never commissioned and he solely made these for himself.
Just got the go-ahead to post my @fallout-zinepiece!
This was seriously fun to do, and I made some amazing friends though this project <333 Remember, if you wanna view the full thing, be sure to check out Wasteland Blues, or on my Patreon!
Thanks again to @tokio-star for putting together this zine <33
