#fiction

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I snuck my pet theory about Roman mythology into my book: Pluto isn’t the god of the underworld. Pluto is just the god of

Where is the lie?

rainbowloliofjustice:

It’s honestly pathetic and hypocritical how antis will post their own life story and use it as a way of saying “This is why you shouldn’t ship this” and treat it as if their life and feelings are the only ones that matter and are totally universal. They talk about how much they protect and love survivors, etc.

Yet when a survivor posts about their own trauma and how ships have helped them navigate and come to terms with their own trauma or how equating fiction to their abuse is degrading and causes more harm to them than good, they’re told…

“Cope in private” nevermind the fact that shipping can form a community and help them form bonds and friendships that can help get them through their trauma. This also basically amounts to telling them to go it alone and that they aren’t allowed to have a community.

“Stop hurting other survivors” nevermind the fact that antis have no problem hurting other survivors when they say this.

“Stop using your trauma to hurt other survivors.” Nevermind the fact that antis use their own trauma to hurt other surviviors. 

etc.

Why is it that antis can treat their own personal stories and experiences as absolute truth yet a shipper who came from similar circustance isn’t allowed to?

Take a good long look in the mirror. If something is personally triggering to you, great. Blacklist it. Block it. Don’t follow people who post it. You don’t have the right to tell other people what spaces they are allowed to have or how they’re alllowed to do something.

kaeyas-titties:

shirosrighthandman:

Anti: I can enjoy devilman while being critical of its problematic elements

Me, who has been trying to explain this concept to antis who want fanworks with problematic elements to not exist at all and harass their creators instead of accepting that adults are able to consume problematic work critically:

It’s almost like antis claim a ship is problematic purely because they don’t like it cause it interferes with a ship they do like or they don’t like one or more of the characters involved

i-am-the-hero-alfred-jones:

memecucker:

i think it’s funny when people are like “dark fiction or tragic fiction is ok if it’s about overcoming trauma or showing the outcome of a mistake” bc like that feels weirdly christian (though not saying only christianity promotes that) like it must always have a “moral” or whatever and meanwhile aristotle’s idea of catharsis is like “hey sometimes people just feel better and have their negative emotions purged when they see fucked up shit happening to an innocent fictional character that did no wrong in the story because as a fictional story literally no one is getting hurt”

That is exactly why the greeks wrote tragedy. They believed catharsis was the expelling of negative emotions. So they wrote heartbreaking plays where no one was happy in the end because sometimes life just sucks. 

Sometimes you don’t wanna listen to Mamma Mia and laugh, you wanna listen to This Impossible Year and cry. And that’s okay. 

buckyballbearing:

  • Fiction can influence reality, in that real humans can use it to transmit ideas, but fiction does not createreality because humans have free will
    • Ex: If I write a book about a fictional Utopia and forced everyone to read it, the world will not necessarily turn into that Utopia

  • Similarly, representation can matter because it’s comforting and inspiring to envision a world where the heroes look like you – but “representation” still implies “a depiction” of a potential reality

  • Having fictional “possibility models” is important to many people who feel invisible in their society, but it still takes real-world behavior changes to fight racism, sexism, ableism, homophobia, etc

  • In sum: representation matters AND fiction still does not directly control the real world, thank you for your time

raptorific:

raptorific:

raptorific:

raptorific:

Whenever I see people discoursing online about how all fiction must model good behavior and explicitly state that any bad behavior depicted is wrong, lest someone in the audience mistake it for “glorifying,” all I can think of is that line from Arrested Development where Buster, in his mid-30s, objects to something by saying “that’s not the way mother is raising me”

Like yeah maybe YA books and kids’ cartoons have a responsibility to demonstrate the difference between Right and Wrong, since the audience is, like, actual children, but if you’re consuming literally anything more advanced than Disney XD’s Ducktales, you should absolutely be expected to bring your own moral framework from home and not need your media to spoon-feed morality to you

if you see a show about a a man manufacturing and selling methamphetamine while abusing his wife and murdering people and you can’t tell whether the author intends for you to think his actions are right or wrong? That might be more your problem than the text’s. You might just, at that point, be an idiot.

[banging on the notes of this post with a broomstick from below] yo shut the fuck up in there

legit-writing-tips:

legit-writing-tips:

legit-writing-tips:

legit-writing-tips:

legit-writing-tips:

legit-writing-tips:

legit-writing-tips:

legit-writing-tips:

My heart. ❤ Love to this girl.

Also - this incredible story has been nominated for a Hugo (major award). PLEASE support her on Twitter if you’re there.

https://twitter.com/Azure_Husky/status/1420177932518137862?t=l6nQ5U7x2q4M-dzm_6HEVA&s=19

interdome:drawings by Renzo PicassoRenzo Picasso (1880-1975) was an Italian engineer, architect interdome:drawings by Renzo PicassoRenzo Picasso (1880-1975) was an Italian engineer, architect interdome:drawings by Renzo PicassoRenzo Picasso (1880-1975) was an Italian engineer, architect interdome:drawings by Renzo PicassoRenzo Picasso (1880-1975) was an Italian engineer, architect interdome:drawings by Renzo PicassoRenzo Picasso (1880-1975) was an Italian engineer, architect interdome:drawings by Renzo PicassoRenzo Picasso (1880-1975) was an Italian engineer, architect interdome:drawings by Renzo PicassoRenzo Picasso (1880-1975) was an Italian engineer, architect interdome:drawings by Renzo PicassoRenzo Picasso (1880-1975) was an Italian engineer, architect interdome:drawings by Renzo PicassoRenzo Picasso (1880-1975) was an Italian engineer, architect

interdome:

drawings by Renzo Picasso

Renzo Picasso (1880-1975) was an Italian engineer, architect and designer. Originally from Genoa, he visited the United States at the beginning of the twentieth century and was deeply impressed by American urbanism and technical innovation. Inspired by these “discoveries,” he produced a large number of visionary drawings and plans depicting the most striking aspects of what he saw, such as skyscrapers, elevators, public transports, and urban plans. Read the article Gli straordinari progetti di Renzo Picasso per Genova published in the magazine “Viaggio in Liguria”, issue 02/2010, for more information.

Source: Archivio Renzo Picasso


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probablyevilideasafterdark:

An Earth Trans in Urtrament, Chapter 6

Ok, I finally decided to cut the chapter I’m working on off at the point I felt like was the natural break point, and chapter length be damned. It’s shorter than previous chapters, but still seven-ish Google Doc pages, so it’s not like it’s a stub of a chapter or anything.

This chapter moves towards the smutty part of my intention with this fic, but is still SFW.

Chapter 7 may take less time than this one did, even if it’s longer, because what will be chapter 7 was originally part of this chapter, and so I already have a good bit written past where it felt like it was right to cut off chapter 6. But I’m still working on it, so I don’t know when it will go up. We’ll see.

Enjoy Chapter 6, and if you like it, please like and reblog the post.

Chapter 6: Crazy, Stupid and Dangerous

It’s a few hours before I hear from Mez’gin again, during which time, I go back over the scrolls and my notes, and write out an actual spell, first on scratch paper, then copied into my spell tome. I run out and buy some spell reagents while waiting, and ask around the Derelict dining room where a good place for an experimental summoning would be around Marsti. It takes a few tries, and people who want to know what I’m working on that I have to convince it’s better if they wait till I know whether it’ll work, but I’m told about a reasonably safe, concealed place on the banks of the river that would be suitable.

Mez’gin messages me around half past ten, and appears outside of the Derelict just a few minutes later. “Ok,” she says, “lets see what you’ve put together.”

I guide her to my room, and lay out my notes and the final spell so she can take a look at them. She examines everything for another hour or so, but eventually concedes that it looks like it should work.

“I’m still not sure you’ll be able to reach into your world, but… I don’t think you’re going to kill yourself doing this. Do you have a place to cast it? Please tell me you’re not planning on using this room.”

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