#fashion history

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everysinglefrancaise: Sack1774-1775 (weaving), 1775 - 1780 (sewing), 1870 - 1910 (altered)  The sackeverysinglefrancaise: Sack1774-1775 (weaving), 1775 - 1780 (sewing), 1870 - 1910 (altered)  The sackeverysinglefrancaise: Sack1774-1775 (weaving), 1775 - 1780 (sewing), 1870 - 1910 (altered)  The sack

everysinglefrancaise:

Sack

1774-1775(weaving), 1775 - 1780 (sewing), 1870 - 1910 (altered) 

 The sack or robe à la francaise had loose pleats at the back of the neck and an open front. It was a style that dominated women’s fashions during the 18th century. It developed from a loose negligee but by the 1770s it had become a more formal type of dress and would have been worn for attending assembly rooms, dinner parties, the theatre or the opera.

This is a very rare example of the use of velvet in 18th-century women’s dress. Normally fabrics are printed after the weaving process. In the chiné technique, the warp threads are printed before, and during weaving the slight pulling of the threads gives the pattern a blurred effect, resembling a watercolour when finished. In this extraordinary example, the chiné process has been combined with velvet - a difficult technique that was produced only in a few places in France. The silk for this fabric is reputed to have cost 36 shillings a yard. With an average of 17 yards required for a sack and petticoat of this style, the fabric would today cost about £2,200.

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some more of the amazing clothes i got to see today in the fashion history gallery at the national museum of scotland!! absolutely gorgeous☁️✨

medical history will always have my heart, but who can resist a bit of fashion history?? could have spent hours looking at these in the national museum of scotland today!

lookingbackatfashionhistory:

• Woman’s day dress.

Date: ca. 1855-1860

Medium: Woodblock and rollerprinted cotton tabby.

jeannepompadour: Dress, 1870’s Russia

jeannepompadour:

Dress, 1870’s Russia


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ruched:Callot Soeurs Autumn/Winter 1928

ruched:

Callot Soeurs Autumn/Winter 1928


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Fashion illustration c.1930s?

Fashion illustration c.1930s?


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mimicofmodes:

Feel like I should have a pinned post with info about my patterns and such …

Regency Women’s Dress: Techniques and Patterns, 1800-1830 (Batsford, 2015)

The Peacock bodice, 1871-1873 (skirt diagrams under construction) - 32-42" busts,42-52" busts

The “Agnes” cap, 1830-1850

The Pink Pingat evening bodice, 1867 - for 21-41" busts

The Pink Pingat evening gown, 1867 - for 21-41" busts

The “Bessie” shirtwaist, 1910-1915 - for 20-28" waists,for 30-38" waists

The “Bessie” day dress, 1910-1915 - for 20-28" waists,for 30-38" waists

THREE METALLIC CAPPED POUCH PURSES, 1880-19251 French jet beaded bag w/ round cast closure decoratedTHREE METALLIC CAPPED POUCH PURSES, 1880-19251 French jet beaded bag w/ round cast closure decoratedTHREE METALLIC CAPPED POUCH PURSES, 1880-19251 French jet beaded bag w/ round cast closure decorated

THREE METALLIC CAPPED POUCH PURSES, 1880-1925

1 French jet beaded bag w/ round cast closure decorated in floral motifs & compact mirror at inside lid, c. 1920; 1 mulberry purple crocheted bag w/ diagonal bands & tassels of steel cut beads, 1880s; 1 lavender w/ Chinese embroidery in multi colored silk floss & metallic thread w/ insect & floral motif, golden metallic round closure


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EMERALD GREEN EVENING GOWN, c. 18552-pc emerald green silk taffeta evening gown c/o fitted & bonEMERALD GREEN EVENING GOWN, c. 18552-pc emerald green silk taffeta evening gown c/o fitted & bonEMERALD GREEN EVENING GOWN, c. 18552-pc emerald green silk taffeta evening gown c/o fitted & bonEMERALD GREEN EVENING GOWN, c. 18552-pc emerald green silk taffeta evening gown c/o fitted & bonEMERALD GREEN EVENING GOWN, c. 18552-pc emerald green silk taffeta evening gown c/o fitted & bon

EMERALD GREEN EVENING GOWN, c. 1855

2-pc emerald green silk taffeta evening gown c/o fitted & boned beateau neck bodice w/ V waistline at front & back, decorative corded & velvet floral buttons at center front & contrasting orange silk velvet ribbon ties at shoulder, double piping w/ thread eyelets for lacing at center back closure, full skirt w/ unattached waist band w/ contrasting green velvet trim & self cockade at closure.


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METALLIC LACE EVENING GOWN, c. 1912Ecru silk trained evening gown w/ Trompe-l'œil silk floss & bMETALLIC LACE EVENING GOWN, c. 1912Ecru silk trained evening gown w/ Trompe-l'œil silk floss & b

METALLIC LACE EVENING GOWN, c. 1912

Ecru silk trained evening gown w/ Trompe-l'œil silk floss & bead tassels


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TWO FUR TRIMMED EVENING COATS, 1920s1 gold & silver lamé coat w/ Fauvist stylized forest motif iTWO FUR TRIMMED EVENING COATS, 1920s1 gold & silver lamé coat w/ Fauvist stylized forest motif i

TWO FUR TRIMMED EVENING COATS, 1920s

1 gold & silver lamé coat w/ Fauvist stylized forest motif in shades of pink, orange, aquamarine & cream, chinchilla trimmed at cuff & collar, lined in orange plush, 1 interior patch pocket, open front,

1 Fortuny inspired black silk velvet gold stenciled coat in Art Deco floral & vine motif w/ angel sleeves & ruched silver lamé collar lined w/ white rabbit fur, entirely lined in silver lamé.


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LADIES FLORAL BODICE, ENGLAND, c. 1855Young lady’s multicolored floral bodice of barege w/ priLADIES FLORAL BODICE, ENGLAND, c. 1855Young lady’s multicolored floral bodice of barege w/ priLADIES FLORAL BODICE, ENGLAND, c. 1855Young lady’s multicolored floral bodice of barege w/ priLADIES FLORAL BODICE, ENGLAND, c. 1855Young lady’s multicolored floral bodice of barege w/ pri

LADIES FLORAL BODICE, ENGLAND, c. 1855

Young lady’s multicolored floral bodice of barege w/ printed linear pattern in grisaille highlighted w/ floral bunches & foliate, squared woven pattern of silk bands pardessus sleeves, edged w/ silk fringe & pleated floral ribbon trims, escallier of bows to center front.


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