#early 1900s

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sovietpostcards:Antique Russian Easter eggs from 1900s-1910s (porcelain, silver)sovietpostcards:Antique Russian Easter eggs from 1900s-1910s (porcelain, silver)sovietpostcards:Antique Russian Easter eggs from 1900s-1910s (porcelain, silver)sovietpostcards:Antique Russian Easter eggs from 1900s-1910s (porcelain, silver)sovietpostcards:Antique Russian Easter eggs from 1900s-1910s (porcelain, silver)sovietpostcards:Antique Russian Easter eggs from 1900s-1910s (porcelain, silver)

sovietpostcards:

Antique Russian Easter eggs from 1900s-1910s (porcelain, silver)


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artnouveaustyle:“La Pensee” enamel brooch by French artist René Lalique, circa 1900.

artnouveaustyle:

“La Pensee” enamel brooch by French artist René Lalique, circa 1900.


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“Fleeing from the bees”, 1906, Sweden.

“Fleeing from the bees”, 1906, Sweden.


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Görtz Birger Adolfsson Hinderfors, 1885-1941, Sweden. Mugshot to the left is from 1908, photo to theGörtz Birger Adolfsson Hinderfors, 1885-1941, Sweden. Mugshot to the left is from 1908, photo to the

Görtz Birger Adolfsson Hinderfors, 1885-1941, Sweden. Mugshot to the left is from 1908, photo to the right is from 1913.

He had numerous arrests for thefts and fraud. On his arrest record he was described as 1.82m tall (6′) with medium blue eyes, blond hair and many small facial scars. 


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Boys on a bike, 1906, Sweden.

Boys on a bike, 1906, Sweden.


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Pierre Dubreuil :: Das Goldfisch-Glas [The Goldfish Bowl], ca. 1905. Photogravure. From: Photographische Mitteilungen 1905. | src Photoseed.com

Pierre Dubreuil :: Das Goldfisch-Glas, ca. 1905. Photogravure. From: Photographische Mitteilungen 1905. | src Photogravure.com

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Easter Sunday mood (III)


Siri Fischer-Schneevoigt :: Das Kruzifix, ca. 1905. Photogravure. Atelier Georg Büxenstein & Co. (editor). From: Photographische Mitteilungen 1905. | src Photogravure.com

Siri Fischer-Schneevoigt :: Trost [Alternate title: Das Kruzifix  (printed in index)], ca. 1905. Photogravure. From: Photographische Mitteilungen 1905. | src Photoseed

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Easter Sunday mood (II)


Otto Scharf :: Taufgang, ca. 1905. Photogravure. The photograph depicts the faithful standing in line outside a church to be baptized. In: Photografische Mitteilungen 1905. | src Photoseed

Otto Scharf :: Taufgang, ca. 1905. Photogravure. Editor: Atelier Georg Büxenstein & Co. In: Photografische Mitteilungen 1905. | src photogravure.com

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hauntedbystorytelling:Karl Andreyevich Fischer** :: Russian stage actress Maria Germanova as The W

hauntedbystorytelling:

Karl Andreyevich Fischer**:: Russian stage actress Maria Germanova as The Witch, in Konstantin Stanislavski’s production of Maurice Maeterlinck’s play ‘The Blue Bird’ [Maeterlinck, Maurice, 1862-1949. Oiseau bleu. RussianMoskovskiĭ khudozhestvennyĭ akademicheskiĭ teatr], at the Moscow Arts Theatre, 1908. | src The New York Public Library

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** Photographer’s name on verso of the postcard: “К. Фишер Mockba”


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The Man Who Saw the Devil by metal_eye | E | 4249“The Devil was staring at him."Louis shi

The Man Who Saw the Devil by metal_eye | E | 4249
“The Devil was staring at him.
"Louis shifted slightly in his seat and scratched the back of his neck, picking up his program and reading the title of the play again: L’homme qui a vu le Diable.
"He was wearing a satin red suit, one that certainly stood out amongst the usual greys and blacks of other Paris theatres, and instead of merely appearing the two times that the main character summoned him, this Devil followed the other men around on stage as they spoke and played cards. He kept looking over their shoulders and mocking their awkward movements, jerks and twitches compared to his own lithe prowl. The theatre audience, most readily impressed by gruesome effects and sensationalism, couldn’t take their eyes off him.
"Neither could Louis.”
Paris, 1912. Louis is a frequent patron of the Theatre du Grand Guignol. Harry is a performer. Tonight he’s playing the Devil.

beat the darkness by turnyourankle | T | 7754
Harry is a volunteer nurse stationed in Cairo; Louis is one of the patients in his ward.

Withdrawal Was the Weeping by QuickedWeen | E | 11090
Confined by life and society, Harry spends her Sunday afternoons walking aimlessly about the countryside as it’s her only source of freedom. One Sunday she is aided by the most beautiful woman she has ever met, but not everything is as it seems. Was it a trick of the light? Was it Harry’s own active imagination? There is nothing to do but try to find her again.

The People’s Playground by musketrois | T | 17867
It is 1900 in New York City, and Harry Styles has recently immigrated to America from England. His sister encourages him to take a day off from his life as a factory worker and Harry decides to take a trip to the infamous Coney Island where he literally runs into Louis Tomlinson. It looks like Coney Island will be more than Harry bargained for.

fondre ton absence by scrunchyharry | T | 41315
Harry had never really given much thought to the future. He preferred to let life steer him forward and to follow in the footsteps of Louis, his best friend from as far as his memory went, his lover, his everything. Louis knew better than he did what was good for him.
It changed drastically when Louis was ripped away from him, drafted and sent to the front to fight in a war that Harry had always been sure would never reach him. Too young and too sickly to follow, Harry was left on his own for the first time in his life.
When he thought things could not possibly get worse, Louis went missing at the Somme and was declared dead. While everyone buried and mourned him, Harry never moved on. If Louis were dead, he was sure that he would know it. Their lives were too entwined, he would know if half of his heart had died.
Determined to find Louis, Harry did everything he could in his quest to be reunited with him, except prepare for the state Louis might be in.
He did not prepare for the harsh truth he would have to face: was love possible without memories?

No Hold to Hold Onto by kingsofeverything | E | 47913
Injured after being thrown from a bronc, Harry doesn’t know if he’ll ever compete again.
His only hope is a man called Tommo, a world champion rider who retired at the top of his game.
When Harry goes looking for help learning a new way to rope and ride, the last thing he expects to find is love.

Glitter in the sky, glitter in our eyes by softfonds | E | 59200
What happens when a Duke who will only marry for love and a courtesan who only sells it create a public ruse? Well, nothing boring for sure. An Edwardian AU.

Paint The Sky With Stars by kiwikero | M | 62870
On 10 April 1912, Harry Styles boards the finest ship the world has ever seen. Still grieving the death of their mother, he and his sister are being sent to America to live with a callous uncle who cares more about his business connections than family. Harry prepares himself for a long, disappointing voyage alone in his stateroom.
Louis Tomlinson has borrowed and saved, and finally has enough to purchase a Third Class ticket to America. With all of his belongings in a single ruck sack, he boards the Titanic filled with hope for a brighter future. Never one to sit still, he can’t resist exploring the massive ship, and soon goes sneaking into First Class in a stolen steward’s uniform.
By a twist of fate, Louis finds himself in Harry’s stateroom, entranced by the most attractive man he’s ever laid eyes on. He keeps returning day after day, even if he doesn’t understand what it is about Harry that continues pulling him in. That’s all right; Louis has a week to figure it out, and Harry is plenty willing to help.
Except they don’t have a week. They have four days. Because on 15 April, their entire world will be turned upside down.
Or, the historically accurate Titanic AU with a happy ending.

Such Good Luck by casuallyhl | E | 66205
Louis smiles at Harry’s words, leaning into his touch. “Tell me again.”
Smiling, Harry takes Louis into his arms. Pressing gentle kisses to his face, Harry murmurs, “In six months’ time, I will have my twenty-fifth birthday. On that day, my portion of the inheritance will become legally mine. And I plan that very day to announce to my family that I have found love.” Harry chuckles as he runs his lips lightly along Louis’ cheekbone. “That, in fact, I found love when I was twenty-one years old, and that I have loved and been loved every day since.”
Or, an Edwardian AU where Harry is a young aristocratic lord and Louis is a working class dairy farmer. Secrets are a necessary part of their relationship, but Louis has one that could topple their whole world.


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Left: Edwardian brown leather bicycle boots ca. 1900.

Right: Lace up knee-high brown combat boots sold on Torrid.

Left: 1900’s Irish lace jacket overtop a black dress.

Right: Lace cardigan sold at Free People worn over a black tee and distressed jeans.

Florence Peterson nue, de trois-quarts, between 1909/ 1910 by Paul Burty Haviland

Florence Peterson nue, de trois-quarts, between 1909/ 1910 by Paul Burty Haviland


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Arthur Rackham illustration from Peter Pan in Kensington gardens by J. M. Barrie, 1907

Arthur Rackham illustration from Peter Pan in Kensington gardens by J. M. Barrie, 1907


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A Night in June by Thomas Cooper Gotch, 1910 ~

source:https://www.instagram.com/moonmotel/

Young Prince Gustaf Adolf of Sweden plays accordion, early 1900s.

Sterling Silver Stoplight Jigger by Gorham early 1900’s

Sterling Silver Stoplight Jigger by Gorham
early 1900’s


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‘Strike Penrhyn’ (2016) / installation detail Trade Union banners display ‘first person’ responses s‘Strike Penrhyn’ (2016) / installation detail Trade Union banners display ‘first person’ responses s‘Strike Penrhyn’ (2016) / installation detail Trade Union banners display ‘first person’ responses s‘Strike Penrhyn’ (2016) / installation detail Trade Union banners display ‘first person’ responses s‘Strike Penrhyn’ (2016) / installation detail Trade Union banners display ‘first person’ responses s‘Strike Penrhyn’ (2016) / installation detail Trade Union banners display ‘first person’ responses s‘Strike Penrhyn’ (2016) / installation detail Trade Union banners display ‘first person’ responses s‘Strike Penrhyn’ (2016) / installation detail Trade Union banners display ‘first person’ responses s‘Strike Penrhyn’ (2016) / installation detail Trade Union banners display ‘first person’ responses s‘Strike Penrhyn’ (2016) / installation detail Trade Union banners display ‘first person’ responses s

‘Strike Penrhyn’ (2016) / installation detail 

Trade Union banners display ‘first person’ responses shared by volunteers, community members and former quarrymen alongside a ton of slate from the local quarry in Bethesda, North Wales.


The following documentary is also included:  

https://vimeo.com/robynwoolston/strikepenrhyn


Location: 

National Trust / Penrhyn Castle, Bangor, Wales. 

http://www.nationaltrust.org.uk/penrhyn-castle


Exhibition open until 2nd October 2016


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It has been so long since I wrote a post and I apologize, I’ve had some sort of creative block and have attempted to write about many different topics but ended up deleting everything because I just didn’t like it. But now I’ve finally found some inspiration again! I started watching Z - The Beginning Of Everything today as The Great Gatsby is one of my favorite books of all times (it’s just so beautifully written!) and since the show takes place in 1918 (with pretty accurate costumes so far but I’m only on episode 3 so I can’t say too much about it) I’ve spotted some late Edwardian-ish dresses that have made me fall in love with the time period all over again. Obviously, Zelda is a very modern girl for her time so she wouldn’t be wearing them but some of the ladies around her were. But either way, I am not here to talk about the costumes on the show but rather about my plans to make something late Edwardian at some point!

As you may or may not know, I am actually not sure if I’ve ever mentioned it before, I’ve actually attempted making an Edwardian blouse before and failed miserably. The white georgette I was going to use now doubles as my fichu for the Robe à la Polonaise. So ever since then I’ve kind of set the plans aside to make anything Edwardian because there are so many details and after my failure I am terrified of using such dainty fabrics. But now that my cousin is engaged I’ve been wondering if I could slightly modernize an Edwardian dress and… wear it to the wedding?

I definitely love the idea of showing up in full 1910 attire but knowing myself I would feel very out of place and stick out like a sore thumb so I want to make something that works for me and for the occasion.

I don’t have a specific design in mind just yet, but I have gathered some inspiration on Pinterest.

Now, most of those stereotypical Edwardian gowns that I love so much are white, but wearing white to a wedding is not something I wanna do so I’m going to be opting for something pastel, maybe a light blue or green? I have to keep in mind that the event is going to be in more than a year’s time and I’ve recently dyed my hair red and I don’t know if I’m still going to have red hair, so I have to be prepared and wear something that matches everything. That rules out pink (which is giving me nightmares right now, I have so many pastel pink shirts in my closet that I can’t wear because it doesn’t look good anymore!!) but I love that champagne-y slightly rose color in the second picture.

I think I’d go for post 1914 for the length, so not floor length but ankle or mid calf. I especially love this as a potential layer:

I love the frills, the lace, the daintiness of Edwardian clothing so much I think it’s my favorite fashion time period. But there’s so much planning that has to go into it, especially since I’ve never successfully made anything Edwardian before and then it has to be modernized so I most certainly won’t find a pattern anywhere. But most importantly, how can I make it work without wearing a corset? (wedding meals… I know it’s possible but I’d rather not…). Maybe I can work my way around it with just a pouffy corset cover and some padding in the right places.

Maybe I’ll try to make a few sketches soon just to go through some ideas!

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