#art history

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Dying Inayat KhanBalchandIndia, Mughal, 1618 - 1619Ink and light wash on paper

Dying Inayat Khan

Balchand

India, Mughal, 1618 - 1619

Ink and light wash on paper


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A Flowering PlantIndia, Mughal, c. 17th centuryOpaque watercolors and gold on paper

A Flowering Plant

India, Mughal, c. 17th century

Opaque watercolors and gold on paper


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Dancing GirlTilly Kettle India, British, 1772Oil on Canvas

Dancing Girl

Tilly Kettle

India, British, 1772

Oil on Canvas


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Two Women DancingIndia, Mughal, c. 17th CenturyOpaque watercolors and gold on paper

Two Women Dancing

India, Mughal, c. 17th Century

Opaque watercolors and gold on paper


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english-history-trip: dingusmcdougall: scarlett-the-seachild:think this has to be one of my favour

english-history-trip:

dingusmcdougall:

scarlett-the-seachild:

image

think this has to be one of my favourite headlines of anything ever

The best thing about that article is that there gets to be a point where you’re like surely. Surely we can’t get sexier and less-martyr-y than this. And that point is about a 3rd of the way through the piece.

For my own amusement, I have included some even sluttier Sebastians found in the most cursory of Google searches:


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Why’s it always got to be hunting?

Why’s it always got to be hunting?


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nails-teeth-neck:

it’s mementing absolute mori

Me hiding from my problems. 

Me hiding from my problems. 


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Jusepe de Ribera, Pietà (details), 1637Jusepe de Ribera, Pietà (details), 1637Jusepe de Ribera, Pietà (details), 1637

Jusepe de Ribera, Pietà(details), 1637


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