Dream melodramatic ot3 declaration of feelings scenario (that I’m thinking about post-s5, but could certainly work for Redemption) is this:
This time it’s Eliot who steps on the bomb.
They’re only meant to be doing recon, and he almost wants to laugh when he hears the click, a little past the boundary of their mark’s sprawling land. Years of precautions and paranoia and he’s about to get taken out by a fucking booby-trap like an expendable character in one of Hardison’s action movies.
Parker and Hardison are still walking up ahead, and for a second he thinks about letting them go, letting them get clear of the danger zone and then just lifting his foot. Only he swallows, watching them, lump rising fast in his throat—he hasn’t been scared of death itself for a long, long time, but the idea of never talking to them again, never looking at them again, never telling them—
Well. It’s unbearable.
Besides that, while the placement of the device suggests it’s the only one, he can’t be sure, and besides that, it doesn’t take them long to notice he’s no longer right behind them.
‘You okay?’ Hardison calls, and the look on Eliot’s face must be answer enough, because they’re both coming back to him before he can choke out a warning.
‘So yeah,’ he manages, when they’re within a few feet of him. He holds himself very, very still, even as his heart seems to hurl itself over and over at the walls of his chest. ‘Looks like our guy went to the Udall school of home security.’
‘Eliot,’ Parker whispers, eyes dropping to his feet. Her mouth sets into a firm line. ‘How do we fix this?’
‘You can’t.’
‘It’s okay; we’re gonna figure it out,’ Hardison assures him.
‘You should get out of here,’ Eliot says, through gritted teeth. There are no wires for Parker to pull this time, no clever computer resets for Hardison to try.
‘We’re not doing that,’ Hardison says immediately, dropping to a crouch to try to get a better look at the barely-buried pressure plate, and Eliot wants to scream.
‘You need—I’m serious, you both need to get as far away as possible. We don’t know if this thing’s on a timer or—’
‘Then we’d better figure it out fast,’ Parker says, squatting down next to Hardison.
Then they’re talking to each other, the two of them, but he’s not really processing what they’re saying. Instead his pulse is thundering in his ears and he’s thinking about the pie he’d planned on making later. How they’d have both picked at the raw pastry and he’d have pretended to be annoyed at them. How they’d have argued they had just as much say in how this pie came together, because Eliot had dragged them out of the city to pick the berries specially (had watched the two of them goof around—Parker smushing a ripe blackberry against Hardison’s mouth and then kissing the deep purple stains away, Hardison putting Parker up on his shoulders so she could reach high into the hedgerows—and felt the odd mix of longing and deep contentment that is sunk into his bones by now, thrumming warm and sweet through his veins, settled forever into every atom).
It would’ve been good, that pie, and it would have been even better to watch them eat it, Parker with so much ice cream she’d get brain freeze, Hardison with that awful powder mix custard, at their dinner table in their home that they built together.
‘I need to tell you something,’ Eliot says.
‘—makes sense that it’d be deactivated remotely,’ Hardison is saying.
‘I need to tell you something,’ Eliot says, louder.
It really IS like [Eliot in the shower, curtain pulls back, Hardison: “hey are we - stop screaming it’s just me - are we past your emotional and physical barriers yet?”] tho.
I want this fic. I want BOTH of these fics. I want Hardison & Parker deciding that if Eliot isn’t going to be talkative on his own, the occasional fun and festive Shower Ambush is the way to go. He’s flustered enough to shoot answers from the hip, and naked enough to not escape easily. The escalation from ‘where’s the orange soda?’ to ‘you know we know you love us, right?’ would be a thing of beauty.
Plus, who’s going to pass up that gun (…and etc.) show? (Hardison is, because he’s a gentleman whose Nana raised him right. He [mostly] doesn’t look. Parker looks. Unabashedly. And occasionally tries to poke a scar that she hasn’t seen before. At one point a slap fight may or may not happen.)
AASJSHDHSHDHHSD“flustered enough to shoot answers from the hip and naked enough to not escape easily”
I’LL TAKE PHRASES THAT WILL LIVE IN MY HEAD RENT FREE FROM NOW ON FOR 500 ALEX
…so I wrote this It turned out SLIGHTLY more intense in places than I’d anticipated, but I kept my goofy first title idea anyway… and a lot of specific lines from this thread. So thanks to @eliot-wolfgirl-spencer,@bisexualeliotspencer, and @sun-lit-roses for the inspiration!
And I hope you all enjoy my offering of Shower Thoughts: Five times Hardison and Parker interrupt Eliot’s shower and one time he gets revenge interrupts Hardison’s
i’m just obsessed with the fact that the three of them still work so many years later. from what i’ve gotten textually from the show, yes, hardison and parker are dating, but the family unit is hardison/parker/eliot.
hardison and parker are shown to be physically affectionate, but there’s an electric and stable type of connectedness between all of them showing how in each other’s lives they have been:
eliot and hardison pointing where the stolen art belong,
parker and eliot always ending up together,
parker and hardison getting excited together,
the inside jokes,
the big decision making.
parker highlights his emotional connection to this specific team and eliot brings out his sense of duty. the other couldn’t provide the emotional support the other can, but as a unit, there’s help at every corner. parker still has eliot who has been her partner in (undoing) crime for years. eliot has parker, his partner that keeps him sharp. and both of them rest easy knowing hardison is using his big heart for good.
however, while canon has established that they have thoroughly,
thoroughly,
thoroughly
been in each other’s lives, it has not been explicitly stated it’s a polyamorous thing. canon, for me, would be them saying in no uncertain terms that eliot has also lived with them, or something like that. or perhaps, they would establish it in the middle of the second half of the season.
that being said, i have an enormous amount of fun with the show, and for whatever reason we haven’t been able to get our canon ot3, i’m so happy we see them as a family first and foremost, because it would have been so easy to let that disappear between the years.
Headcanon that right after THAT scene in redemption, the next moment Hardison and Parker have on their own Hardison turns to Parker and goes “What do you mean ‘Eliot’s looking for romance’? What do you mean "It’s not the same with us?! Babe, are we- are wenot dating Eliot, somehow?” “I don’t think he thinks he is dating us. He’s just dating us… platonically.” “We said "til death do us part”.“ "Hm-hm.” “We’ve been living together for the past 8 years. We have cuddle piles. I figured he isn’t into the sexy stuff with us but more power to him and-” “Maybe we should have talked about it.” “I thought we did! I bought him a brewpub! I thought it was obvious! Who says 'til death do us part’ platonically!” “Eliot.” “… But we’re still good, right?” “Yeah, of course, all the pretzels.” “And we’re both still in love with Eliot.” “Naturally.” “Good. Okay, cool, that’s a relief, at least that.” “…” “…” “Let’s go steal us an Eliot?” “Let’s go steal us an Eliot. Properly this time.”
I have come to the decision that I need to read more Leverage fics where Eliot goes on a rampage and just absolutely obliterates a bunch of people for taking/hurting Parker or Hardison. This could mean him slipping back into Murder Eliot mode, ruthless and calculating and efficient no one who gets in his way is left alive or this could mean him going off script; Nate, Sophie and Parker or hardison (whoever wasn’t taken ofc) try to make a plan and figure it out but when they finally look up to ask Eliot his input he’s just fuckin gone, and they’re all like shit fuck Eliot’s about to kill people, but Eliot only knocks everybody out and comes back in later with whoever was taken/hurt cradled in his arms and he’s just whispering reassurances and comfort to them and maybe he’s injured bc he couldn’t care less about being hurt he just had to get them back and eventually he’ll tend to himself but right now parker/hardison is the priority and besides, he’s always had worse and is well equipped to handle a “little” pain (depending on how much you like whump) and just aidbsbsndjxj
Lots of protective!Eliot and ot3 vibes
Anyway hit me up with links if ya know anything like that pls or maybe I should write smth like this myself
I can’t believe Eliot was married for over nine years and didn’t notice.
Anyone want to elaborate on that?? Orr??
Eliot Spencer is the king of denial.
He has spent the last eight years after the end of Leverage with Parker and Hardison, have gone on to run a brewpub (that Hardison bought for him), they have a “gigantic house that they all share” (per John Rogers), the food trucks are basically Eliot AND Hardison’s combined babies, is ridiculously domestic with both Hardison and Parker in every scene the share together (the OT3 as well as Hardison + Eliot / Parker + Eliot), is quite hesitant to pursue a relationship (The Double Edged Sword Job) and only “seems happy” (Eliot’s description of Parker’s assessment) (The Hurricane Job) when he is in that other relationship.
Dude is fucking MARRIED in everything but name to Hardison and Parker and does not realize it.
